Song Name: Chango
Appears On:
- Hardcore Volume 2 (1991)
Year Recorded: 1975
Run Time: 3:10
Writing Credits: Gerald V. Casale / Mark Mothersbaugh
Inspired By: Kwambï ceremony songs, and a women's song[3]
Sung By:
- Jerry (with Mark?) [Hardcore demo]
- Jerry [live]
Partial Performances:
- 10/31/75 - WHK Auditorium, Cleveland, OH (WMMS-FM Halloween Party)
- 07/25/77 - Starwood, West Hollywood, Los Angeles County, CA
Onstage Behavior: Unknown.
Alternate Versions:
- Lyrics paired with the music for the Corporate Anthem
- Live versions have distorted vox.[4]
Song Connections:
- Lyrics lightly adapted from kwambï ceremony songs, and a women's song[3]
- Lyrics including "'I come down the river to kill many people" were paired with an early version of the "DEVO Corporate Anthem", according to Mark. [5]
- The synth line starting at 01:11" was later redone and featured on "Plain Truth"
Trivia / Info:
- Changó means monkey in Spanish. This song title may also reference a a transliteration of a Yoruba god name.[6][3]
- The character voices in this song include that of a certain uncle, and his nephew. Mark reportedly voices the "Dear Uncle" to "Deaf (Death) Debbie" section
- The full 10/31/75 live recording of Chango was cut from Live: The Mongoloid Years
- In addition to using the transcribed song lyrics, DEVO may also be interested in Basso’s detailed account of Kalapalo society, including a sport played with a latex rubber ball, and the concept of a "Shadow Self".
- This song has some of DEVO's weirder lyrics
Lyrics:
[Transcribed lyrics]
Chango!
Chango!
Your bailer!
I come up the river
like Meat Man
I come up the river
like Skunkman Fly
I come up the river
to kill many people
I come up the river
with my laser gun
Dear Uncle, Dear Uncle, Dear Uncle
Dear Uncle. Dear Uncle
Your son just had intercourse
with Baggy Breast
Your son just had intercourse
with Deaf Debbie
My mommy didn't hold me when I was young
She didn't give me breast and went insane
My mommy didn't hold me when I was young
She didn't give me breast and went insane
Now I come up the river
like a Beat Man
I come up the river
like Skunkman Fly
I come up the river
to kill many people
I come up the river
with my laser gun
Video
- Short Fim / Music Video - None.
- ⸰ “Devo Chango Left Minus Right Audio Channel Mix US Enclosure Company” uploaded to YouTube by David tHOMAS
- ⸰ "Chango" has also inspired dance, film, and music interpretations.[8]
Song Reviews:
- ⸰ “‘U Got Me Bugged’ and ‘Chango’ are unclassifiable collages of distortion and terrifying electronic industrial noise.” - Nick Reed (2013)[9]
- ⸰ “...The album’s middle section consisting of “U Got Me Bugged” and “Chango”, which is either Devo at their best or Devo at their most unlistenable.” - CRITTERJAMS (2022)[10]
Additional Info:
- The lyrics are about sex, violence, and neglect:
- ⸰ ”I come up the river like Meat Man” - “Meat Man”[11] is an alter ego of a DEVO co-founder, [redacted]. He is included in the earlier “Polymer Love”.
- Additionally, Jerry has said he and Bob 1 drove a meat truck in Akron.
- ⸰ ”I come up the river like Skunkman Fly” - Skunkman Fly is reportedly a stylish pimp. An animated Skunkman was to have appeared in an online club that featured musical performances by several DEVO characters.[12]
- ⸰ ”Dear Uncle, Dear Uncle, Dear Uncle...”
- ”Your son just had intercourse with baggy breast”
- ”Your son just had intercourse with Deaf Debbie”
- - [Chango] is addressed by his nephew, regarding his son’s relations with a certain Debbie, who may be genetically unfit, but still lives.
- The above lyrics were taken, nearly verbatim, from a traditional women’s song,[13] translated by Basso, Phd. (Basso, 1973, 102 [PDF 121])
- ⸰ “My mommy didn't hold me when I was young” “She didn't give me breast and went insane” - These DEVO lyric lines are from a kwambï song,[14] and they resonate with certain “Huboon Stomp” and “That’s What He Said” lyrics that convey the idea:
- I have been hurt, I will hurt others.
- (Basso, 1973, p.74 [PDF 93])
- ⸰ “Now I come up the river like a Beat Man” - “Beat” Man is from a transcription of the second iteration of this verse. This idea resonates with lyrics from the later “That’s What He Said”:
- “Big man beats the little man, and the little man starts to beat...”
- ⸰ “I come up the river to kill many people” is directly from the English translation of a kwambï song.[15] (Basso, 1973, p.10 [PDF 29])
- ⸰ ”I come up the river with my laser gun.” - “Laser gun” was originally “With war clubs, with bow and arrow drawn,...” (Basso, 1973)
- A person from a small stone age society, who is technologically sophisticated [with a laser gun], would embody a certain DEVO ideal.[16]
References
- ↑
- A partial cover song, "Chango" contains the lightly adapted lyrics from three songs.
- Jerry speaks lyrics that were originally sung by choruses of either all men or all women.
- There was no transcribed music for DEVO to cover.
- ↑
- Partial performances of "Baby Talkin' Bitches" and "Chango" follow "Subhuman Woman" on track 14, and precede "Bamboo Bimbo" on track 15 of DEVO Live: The Mongoloid Years.
- ↑ 3.0 3.1
- DEVO adapted choral verse lyrics, of Upper Xingu Carib language translated into English, of two traditional Carib village kwambï ceremony songs, and a women's song, of Kalapalo[1] society, originating within the Parque Indígena do Xingu, Brazil.
- Dr. Basso writes that “Several types of Kalapalo song illustrate vividly the fundamental concerns of the members of this society...”
- (Basso, 1973, viii [PDF 9])
- ↑
- ⸰ The Hardcore demo version is mostly intelligible, and at least one character voice is Jerry.
- ⸰ Live versions of "Chango" were voiced by Jerry, and have distorted, and mostly unintelligible, vocals.
- ⸰ The partial performance of "Chango", from DEVO's first LA show, is available from BBB:
- boojiboysbasement.com/?s=Chango
- ⸰ The partial performance of "Chango", from DEVO's first LA show, is available from BBB:
- ↑
- RollingStone.com. (2014-2-11). Mark Mothersbaugh Looks Back at 9 Classic Devo Videos (3 of 10). "Devo Corporate Anthem".
- "When I first wrote it, I sent it to Uganda for [President] Idi Amin to be his new theme song," Mothersbaugh recalls. "It had lyrics like, 'I come down the river to kill many people!' I sent it to him and, of course, I never got any answer back. So we decided that it could be our corporate anthem."
- ↑
- Changó means monkey in Spanish.
- DEVO, and the Kalapalo, recognize monkeys to be "like human beings":
- ‘The Kalapalo say, “monkeys”... “are like human beings”.’
- (Basso, 1973, 17 [PDF 36])
- ↑
- This fan video pairs "Chango" with the public domain* Dale Jennings film "One Got Fat: Bicycle Safety"
- (*"Published 1963 - Usage Public Domain" Internet Archive. "One Got Fat: Bicycle Safety" by Interlude Films.)
- This fan video pairs "Chango" with the public domain* Dale Jennings film "One Got Fat: Bicycle Safety"
- ↑
- Interpretive dance performed to "Chango" by Kinny Gardner [2] (no footage)
- “The Hyper Squad Chango video Part 1” uploaded to YouTube by Brad Chowen
- “The Hyper Squad Chango video Part 2 Chango’s revenge” uploaded to YouTube by Brad Chowen
- “Chango” cover by Peter PooPoo, available at BBB:
- boojiboysbasement.com/product/s162/
- “chango devo nightcore” uploaded to YouTube by @sludgefiend
- ↑
- ↑
- ↑
- “Meat Man” was reportedly an appropriate descriptor:
- By 1972, it could be said, that this individual “delivered the meat”, literally, and figuratively.
- ↑
- A June 2000 Club DEVO announcement said the character "Skunkman Fly" was scheduled to appear in an animated song (like The Big Dirty Farmers did) but his installment was not produced.
- ↑
- Dear uncle, dear uncle, dear uncle,
- Dear uncle, dear uncle, dear uncle.
- Just now your son had intercourse with Aᶇapeija.
- Your son had intercourse with Baggy Breasts.
- (women’s song)
- (Basso, 1973, 102 [PDF 121])
- These song lyrics may depict a transgression within Kalapalo society. "Cheating" in a relationship is the norm, but talking about infidelity is taboo.
- [Further discussed in Chapter 6, "The Network Of Kinship And Affinity".]
- "Baggy Breasts" may refer to a mature woman:
- "...An older woman, noticing her husband's interest in a younger sister, will encourage young men to proposition her."
- (Basso, 1973, 103 [PDF 122])
- "Baggy Breasts" may refer to a mature woman:
- ↑
- My mother didn’t hold me in her arms when I was small.
- She didn’t feed me, she didn’t give me her breast, the women say.
- (kwambï song)
- (Basso, 1973, p.74 [PDF 93])
- “The Kalapalo believe a child is capable of suicidal revenge after it has been denied food.”
- (Basso, 1973, 82 [PDF 101])
- ↑
- “I come up the river to kill many people” is preceded by these two lines:
- ⸰ ”I come up the river like a Suyá man.” - To the north were the “Suyá”, who had stone axes, and who sometimes raided other villages. (Basso, 1973, pp.9 & 56)
- ⸰ ”I come up the river like iñikogo.” - “Iñikogo” means “fierce Indians”.
- Iñikogo were given either bows and arrows, or war clubs, by the deity Taųgi, depending on the origin story.
- Iñikogo are not members of Upper Xingu society, and they eat many animals that Xingu society does not. (Basso, 1973, pp.12, 14, 155)
- The above are the first two lines of the traditional kwambï song, which is sung as a men's chorus.
- Basso states that relations between Upper Xingu Basin societies were not always amicable, and sometimes hostilities led to killings.
- ↑
- A person from a small stone age society, who is technologically sophisticated (with a laser gun), would embody a certain DEVO ideal:
- ”What we seek, then, is that transcendent state most fully engendered by Fred Flintstone -- technologically sophisticated cave-man.”
- Bob Lewis. "Readers vs. Breeders: Didactical Works re De-Evolution" (1972)
- ⸰ (Mark would later perform It's Not Right with a toy laser gun. The toy's sound chip could be engineered to mimic the same laser gun noise produced by a $30,000 synth.)
Further reading:
- Basso, Ellen B. (University of Arizona) "Relationships With Human Beings and Nonhumans" [Chapter 2], and ”The Network Of Kinship And Affinity” [Chapter 6];
- The Kalapalo Indians Of Central Brazil : Case Studies In Cultural Anthropology, General Editors George and Louise Spindler, Stanford University. Holt, Rinehart and Winston, Inc. (1973):10
- (PDF, 29 of 175), and 102 (PDF, 121 of 175)