Track listing[]
All songs written and composed by Mark Mothersbaugh and Gerald Casale, except where noted.
| Side one | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Writer(s) | Length | ||||||
| 1. | "Time Out For Fun" | 2:48 | |||||||
| 2. | "Peek-A-Boo!" | 3:01 | |||||||
| 3. | "Out Of Sync" | 3:34 | |||||||
| 4. | "Explosions" | 3:01 | |||||||
| 5. | "That's Good" | 3:23 | |||||||
| Side two | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Writer(s) | Length | ||||||
| 6. | "Patterns" | 2:57 | |||||||
| 7. | "Big Mess" | 2:42 | |||||||
| 8. | "Speed Racer" | Mark Mothersbaugh | 2:38 | ||||||
| 9. | "What I Must Do" | 2:34 | |||||||
| 10. | "I Desire" | John Hinckley Jr., M. Mothersbaugh, G. Casale | 3:13 | ||||||
| 11. | "Deep Sleep" | 3:24 | |||||||
Total length: |
32:14 | ||||||||
| 1995 Infinite Zero reissue on CD format adds: | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Writer(s) | Length | ||||||
| 12. | "Part Of You" | 2:49 | |||||||
| 13. | "Find Out" | 3:22 | |||||||
| 14. | "Peek-A-Boo!" (Dance Velocity) | 4:36 | |||||||
| 15. | "Peek-A-Boo!" (DEVO Dub) | 5:24 | |||||||
| 16. | "Here to Go" (Go Mix Version) | 5:32 | |||||||
| 17. | "Here to Go" (Here to Dub Version) | 5:44 | |||||||
Personnel[]
DEVO[]
- Bob Casale - rhythm guitar, additional keyboards, occasional backing vocals
- Gerald V. Casale - bass guitar, keybass, lead vocals
- Bob Mothersbaugh - lead guitar, backing vocals
- Mark Mothersbaugh - keyboards, lead vocals
- Alan Myers - drums
Additional Personnel[]
- Annerose Bücklers - background vocals on "Deep Sleep"
- Gordon Fordyce - engineer
- Erik Arnesen -- cover photography
- DEVO, Inc. -- graphic concept
- Rick Seireeni -- art direction
- "Spudring" manufactured by Brent Scrivner (AKA Scrivener)
Tour Setlist[]
- Time Out For Fun (extended intro)
- Patterns
- Speed Racer
- Big Mess
- Peek-A-Boo!
- Out of Sync
- That's Good
- Freedom of Choice Theme
- Whip It
- Girl U Want (EZ)
- Planet Earth
- Deep Sleep
- Jocko Homo
- Mongoloid
- Uncontrollable Urge
- Gates of Steel
- Smart Patrol/Mr. DNA
- Gut Feeling
- Booji's Beautiful World
- Come Back Jonee or Satisfaction
- DEVO Corporate Anthem (as tape playback and projection)
Extra Info[]
- Oh, No! It’s Devo was an album where we leaned into that caricature that people had built for us and wrote from the perspective of fascist clowns. That was our form of retaliation.
- - Jerry (2020) [1]
Instrumentation and Gear[]
- This album features acoustic and electronic drum sounds. For tracks that would be played live, a click track was used, to sync to projected film.
- 3-DEVO, as well as the three "live videos" made for this album, feature the instruments and gear used by DEVO in concert.
- In concert, Bob 1 played a J.B. Player Buick during “Smart Patrol/Mr. DNA,” instead of a LaBaye 2x4.
Tour Triva[]
- The oh, no! it's DEVO tour lasted from 1982-10-30 to 1982-12-31 [2]
- This concert tour showcased DEVO's newest D.I.Y. multimedia theatrical experience.
- “It’s more like theater than a rock show.” - Mark (1982) [3]
- Jerry said, there were background film elements for seven songs off the album.
The 16mm film was synced to a 35mm magnetic (mag) sound track.
- Except for the 3-D simulcast and technical difficulties, 3-DEVO faithfully represents the 1982-83 oh, no! it's D E V O tour [4] that audiences saw.
- The first half of the set (songs before the FOC Theme) were played against a sync film track that was projected behind the band through a right-angle prismatic lens. Alan kept time with the click track and the band interacted with the visuals. [6]
- Performing in front of large screen in concert, DEVO were “discreetly lit by computerized Pan-a-Spots from Morpheus Lighting.”
- The Spudring collars, made by Brent Scrivner from a DEVO concept,[5] [6] were designed to reflect stage lighting back up, and provided a clean line to connect to the visual of the potato body, that was seen on the album cover, in the “Time Out For Fun” video, and in concert. [7]
- Neither Come Back Jonee, Satisfaction, or the DEVO Corporate Anthem were played during the disastrous debut show of this tour and Explosions was played in the second half of the set. Microphones cut out, and the click track was not offset as required for Alan to count the beats. However, the rest of the tour had no such technical difficulties.
- The "1982-83" "World Tour" – while technically correct - is a joke by Devo. The New Year's Eve '82 show [8] (may have) lasted past midnight, and except for the 1982-11-10 show in Canada, all dates were in the U.S. The many 1982 New Zealand and Australian gigs were part of the New Traditionalists Tour.
Releases[]
- oh, no! it's DEVO was also released by WB as ¡oh, no! es DEVO – with the album and song titles en español.
- The IZ CD had liner notes by Kim Thayil.[7]
- The most recent CD release is by Warner Music Japan (2008), digitally remastered, with no bonus tracks.
Outfits[]
- This year DEVO transform their bodies into spuds — as seen in concert, in the "Time Out for Fun" video, and on album art. In November Mark talked about his new asymmetrical body:
- "The good thing is we're now devolving as much as everyone else. Just as an example, (guitarist [,keyboardist]) Bob Casale came to rehearsal the other day and he had grown a couple more pairs of eyes. I looked in the mirror this morning and my body is now asymmetrical. It feels good."
- - Mark (1982)[9]
- DEVO wear white Spudring collars with black outfits and slicked back dark hair.
- For details on Devo's 1982 apparel and gear seen live and in album art, navigate to Oh, No! It's DEVO (Outfits).
Merchandise[]
- The Club Devo catalog[10] offered new items to invest in, including a “Spudring” collar, a square neck T-shirt, and a color poster[11]
References[]
- ↑
- Szatan, Gabriel. (2020, October 27) “We’re Just a House Band on the Titanic”: A Conversation With Devo’s Gerald Casale. Tidal.
- tidal.com/magazine/article/devo-gerald-casale/1-75145 (From archive.org)
- Szatan, Gabriel. (2020, October 27) “We’re Just a House Band on the Titanic”: A Conversation With Devo’s Gerald Casale. Tidal.
- We were certainly talking about those things, but we were not those things. How could this not be obvious? I was a very sensitive young man at the time, and I could not believe how badly wrong the press were getting us. We received a hard lesson that all aspects of nuance in the media had flown out the window. You could even say we flew too close to the sun and got our wings clipped, becoming pariahs at the same time these hypocritical evangelical hucksters gained moral legitimacy in the early ’80s. Oh, No! It’s Devo was an album where we leaned into that caricature that people had built for us and wrote from the perspective of fascist clowns. That was our form of retaliation.
- ↑
- The oh, no! it's DEVO tour lasted from 1982-10-30 to 1982-12-31.
And the nationwide tour outside of California was announced as starting November 3 and continuing through New Year's Eve:
- The oh, no! it's DEVO tour lasted from 1982-10-30 to 1982-12-31.
- Jeffrey Ressner. “Superstar Tours Buoy Hopes Of Promoters For 4th Quarter”. Cashbox, (1982, October 23) pg 9
- LOS ANGELES — "...Devo are just a few of the major acts promoters hope can turn the state of the concert industry around this fall following a slow summer season."
- “...Devo (which starts its nationwide tour Nov. 3 and has 35 tentative dates penciled in up through New Years Eve)...”
- ↑
- Regan McMahon. “DEVO Takes Time Out For Fun”, BAM (1982, December)
- ↑
- oh, no! it’s
1982-83
WORLD TOUR
DEVO
[ Backstage Pass Laminate: (https://archive.ph/WwVBe) ]
- oh, no! it’s
- ↑
- "Spudring Collar - from Earl Porges". Gear: Plastics. Devo-Obsesso.
- devo-obsesso.com/html/gear_pgs/plastics/spudringcollar-from-earl.html (From archive.org).
- "Spudring Collar - from Earl Porges". Gear: Plastics. Devo-Obsesso.
- ↑
- Jerry said the Spudring was inspired by the white Puritan collars seen on Dutch Masters tins,[1] [2] and in advertising. [3]
- (Ernie Kovacs endorsed Dutch Masters brand. [4])
- Image source: 1662 oil painting by Rembrandt (son of Harmen, from Leiden): The Syndics of the Amsterdam Drapers' Guild (De Staalmeesters).
- ↑ Gerald V. Casale. “Devo: a video history”. Optic Music. (1984, August).
- It seemed we caused a lot of confusion by the approach we took to “Peek-A-Boo,” “That’s Good,” and “Time Out For Fun,” from the album, O No! It’s DEVO.
There were no promotional dollars available to use for the production of video clips and, with MTV’s new power and influence, we decided to return to a variation on the early DEVO videos that had served as a prototype of “the band and insert theme” cliché prevalent now. MTV exposure was just as important as touring; if not more so. In an effort to make creative use of available funds, we tried to close the gap (media-wise) between the record album, the video clip and the live-concert performance.
I storyboarded background film elements for seven songs off the album. Using everything from digital scene simulation fabricated at Digital Productions, to cartoon animation, to still graphics and pixillation, to blue screen and live action photographs shot on high speed 16mm (not to mention extensive ADO work); we created a twenty-eight minute program capable of being played in sync with the band during a live performance.
Click tracks, effects tracks and sequence lines were recorded separately, but simultaneously during the master mixdown sessions in the sound recording studio (Cherokee).
The background visuals were cut to a completed mix. Select tracks were then transferred to a six-track film dubber so that later the image could be stripped of its full mix work-track and interlocked to 35mm mag and just the special tracks copied for playback off the dubber.
The background film element was rear-projected onto a 17’ x 22’ screen in concert. The band stood eight to ten feet in front of the screen, discreetly lit by computerized Pan-a-Spots from Morpheus Lighting.[5]
DEVO could stay in sync with the backdrops by playing to the click-tracks off the sound dubber audible through individual stage monitors. This allowed us to interact with the images and characters that appeared on the screen for each song and involved the audience in a live-performance video game atmosphere.
For the finished video clips, we would lip-sync to playback against a blue sweep, simulating the look of a live performance by matching camera angles and focal lengths to the backgrounds using the ADO in post-production. For instant concert footage, we could have just keyed in one more layer – an audience (not recommended).
The idea was to find a workable technological solution to the various media and reinforce DEVO as the serious music-video act it has self-consciously been from the start...
- It seemed we caused a lot of confusion by the approach we took to “Peek-A-Boo,” “That’s Good,” and “Time Out For Fun,” from the album, O No! It’s DEVO.
- ↑
- ↑
- Graff, Gary (1982, November 05) "Backtrack - It's full speed ahead in reverse for Devo" Detroit Free Press. “extra/weekend” - p1C.
- ↑
- Image of catalog as included on oh, no! it’s D E V O LP slipcover:
- ↑
- Full color poster: “oh, no! it’s D E V O” (24”x36”) [ Suitable for framing, better than art! ]
- i.ebayimg.com/images/g/edYAAOSwtc9mzJ7P/s-l1600.webp(https://archive.ph/dkmeG/image)
- Full color poster: “oh, no! it’s D E V O” (24”x36”) [ Suitable for framing, better than art! ]
Links[]
- Oh, No! It's Devo (master release) -- Discogs
- Oh, No! It's DEVO (release group) -- MusicBrainz
- Oh, No! It's Devo (overview) -- AllMusic
- Oh, No! It's Devo -- Wikipedia
- Oh, No! It's DEVO (album lyrics) -- Genius Lyrics
- Oh, No! It's DEVO (BPM Profile) -- GetSongbpm
- Oh, No! It's DEVO (Harmonic Profile) – GetSongkey
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